The biggest question surrounding Peter Jackson's Lord of the Rings prequel The Hobbit: An Unexpected Journey, has nothing to do with its strength of story, its Oscar chances, or whether or not Tolkien fans will embrace yet another uber-ambitious adaptation of their beloved fantasy world, but rather: How does it look?
Specifically, how will Jackson's 48 frames-per-second gamble play after months of talk and one particularly disastrous Cinema Con debut? I'll tell you this: The grumblings and rumblings after my screening of The Hobbit - in bold, daring, frustrating 48 frames-per-second 3-D - were decidedly not raves. And that's a very bad sign for Jackson & Co.
One colleague couldn't believe how poor the 48 fps presentation looked, insisting - or hoping, more like it - that something must have been wrong with the projection. Jackson's big, game-changing crusade for a frame rate that would part the heavens and open humankind's hearts and minds and brains to a new way of watching film couldn't possibly look so unpleasant. Could it?
I was curious if, back in April when The Hobbit's 48 fps preview bombed at Cinema Con, the journalists and industry folk who recoiled from the hyper-clarity of the picture onscreen were just overreacting to Jackson's new cinematic order. "After a minute or two of adjusting," wrote The New York Daily News' Ethan Sacks in his embargo-skirting first review, "the higher resolution is eye-popping, similar to discovering HD television for the first time."
HD TV did look rather freaky at first, I'll give him that, and there's a shared quality of too much visual information that The Hobbit's 48 fps shares with high-def television. But it didn't take a few minutes of…
Source: http://www.celebrities.com/celebrities-gossip/the-hobbit-at-48-fps-a-high-frame-rate-fiasco/
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